Produced by Butch Walker (Taylor Swift, Green Day, Weezer) and recorded at his Nashville studio, Amythyst Kiah’s new album Still + Bright explores the vast expanse of her inner world: her deep-rooted affinity for Eastern philosophies and spiritual traditions, a near-mystical connection with the natural world, the life lessons learned in her formative years as a self-described “anime-nerd mall goth.” In dreaming up the backdrop to her revelatory storytelling, Kiah and Walker arrived at a darkly cinematic and exhilarating twist on the rootsy alt-rock of her 2021 breakthrough album Wary + Strange—an LP that landed on Rolling Stone’s list of the 25 Best Country and Americana Albums of 2021 and drew acclaim from major outlets like Pitchfork. With its sonic palette encompassing everything from fuzzed-out guitars and industrial-leaning beats to gilded pedal steel and Kiah’s exquisitely graceful banjo work, Still + Bright fully affirms her as an artist of both daring originality and uncompromising depth.
“Black Myself” GRAMMY nominated for Best Americana Roots Song
Included in PEOPLE Magazine’s “Talented Black Musical Artists on the Rise in 2021”
Featured in The New York Times – “Amythyst Kiah Found Her Powerful Voice. Now She Has a Sound to Match It.”
Featured in The New York Times – Sabrina Carpenter Slices Up Her Sunny Image, and 7 More New Songs
“I’m the only one to ease my soul/I’m the only one that’s in control,” Amythyst Kiah vows in “I Will Not Go Down.” It’s a fierce, foot-stomping song laced with backup vocals and bluegrass virtuosity — on multiple instruments — from Billy Strings. The song’s stark declarations arrive fully armored in musicianship. – Jon Pareles
“One of Americana’s great up-and-coming secrets.”— Rolling Stone
“She really is important in reminding people that there is a great tradition of African-American, old-time musicians. I love that she sings in this really rich low vocal range, just straight from the chest, resonant.” — NPR
“Her razor-sharp guitar picking alone guarantees her a place among masters, but it’s her deep-hued voice that can change on a dime from brushed steel to melted toffee that commands attention.” — The New York Times
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